A-1512
COLLECTION
Composer
Selle, Thomas
[parts, title page:] HAGIO-DECA-ME- | LYDRION | H. E. | Zehen Geistliche Concert= | lein mit I. II. III. und IV. Stimmen / zusampt | dem BASSO CONTINUO | Auff ietzo hin und wieder gebräuchliche | Italiänische Invention in ein Corpus, als Orgel/ Regahl/ | Clavicymbel/ Lauten/ Theorben/ etc. So wol mit Lebendiger Stim | artig zusingen/ als mit allerhandt Musicalischen besai= | teten und blasenden Instrumenten in Kirchen | vnd sonsten lieblich zuspielen. | Componirt | Von | THOMÂ SELLIÔ Cerviccâ-Saxone | Scholæ VVesseliboréæ p.t. Rectore. | [indication of part] | Gedruckt zu Hamburg/ bey Lorentz Pfeiffern. | In Verlegung des Autoris. | Im Jahr /1627.
Content
A-1512/1
Eins bitt' ich vom HerrenTitre diplomatique[parts, caption title:] I…
Selle, Thomas
B (1), vl/cnto (3), vlne/fag/trb (1), bc (1)
A-1512/2
Domine exaudi orationem meamT
II. T.S. ex 102. Psal.
II. T.S. ex 102. Psal.
Selle, Thomas
B (1), vla/trb (3), vlne/fag (1), vl/cnto (3), trb (1), bc (1)
A-1512/3
Confitebor tibi Domine
IV. T.S. ex 9. Psal.
IV. T.S. ex 9. Psal.
Selle, Thomas
T/S (1), B/vlne/fag/trb (1), vla/trb (3), vl/cnto (2), bc (1)
A-1512/4
Mache dich selbst nicht traurigTitre diplomatique[parts, caption title:] V…
Selle, Thomas
B (1), vl/cnto (3), vla/trb (1), vlne/fag (1), bc (1)
A-1512/5
Herr höre und sei mir gnädig
VII. Th. S. ex 30. Psal.
VII. Th. S. ex 30. Psal.
Selle, Thomas
S/T (1), S/T (1), B (1), trb (1), vl/cnto (1), S/T (2), B/fag/trb/b ad lib (1), cnto/trb (2), bc (1)
A-1512/6
Kommt her und schauet die Werke des HerrenTitre diplomatique[parts, caption title:] VIII…
Selle, Thomas
B (1), vl/cnto/trb (2), B/b ad lib (1), bc (1)
A-1512/7
Veni Domine
IX. à 3. T.S.C.S.
IX. à 3. T.S.C.S.
Selle, Thomas
S/T/vl (1), S/vl/fl/cnto (1), B (1), B/vlne/trb (1), bc (1)
Catalogue / Bibliography›
Instrumentation from catalogues
PLW, The Early Trombone :
1. Eins bitt ich vom Herren: B, 3Vn/3Ctto, Vo/Bn/Trb, Bc (TSWV 168a)
2. Domine exaudi: B, 3Va/3Trb, Vo/Bn, Bc~B, 3Vn/3Ctto, Trb, Bc~B, Vn/Ctto, 2Va/2Trb, Trb, Bc (TSWV 4a)
4. Confitebor tibi: T/S, B/Vo/Bn/Trb ad lib, Bc~B, 3Va/3Trb, Vo/Trb, Bc~T,
2Vn/2Ctto, B/Vo/Trb, Bc (TSWV 3a)
5. Mache dich selbst nicht trawrig: B, 3Vn/3Ctto, Va/Trb, Vo/Bn, Bc (TSWV 167a)
6. Non mortui laudabunt te: A, Bn/Trb, Bc (TSWV 1a)
7. Herr hre und sey mir gnedig: ST, Trb, Bc~B, Vn/Ctto, Trb, Bc~SS/TT,
B/Bn/Trb, Bc~B, B/b ad lib,2Ctto/2Trb, Bc (TSWV 195a)
8. Kompt her und schauwet: B, 2Vn/2Ctto/2Trb, B/b ad lib, Bc (TSWV 184a)
9. Veni Domine: S/T/Vn, S/Vn/Fl/Ctto, B, B/Vo/Trb, Bc (TSWV 5a)
Remarks: Selle suggests a number of possible scorings (including octave transpositions of various parts) for the pieces in this collection. The basic formation for all the pieces is solo voice(s) and basso continuo. Listed above are Selle’s suggestions with trombone(s) found in the Nota at the end of the Vox I partbook and in the preface of the Vox Tertia pro Capella Fidicinia partbook. In cases where multiple scorings with trombone are suggested, they are separated by a tilde [~]. In addition, the continuo parts can be played by a harmony instrument (organ, regal, harpsichord, spinet, theorbo, lute) and/or melody instrument (violone, trombone, or bassoon), or even be sung. The pieces of this collection are also preserved in Selle’s manuscript Opera omnia, sometimes with yet other scorings (see below).
1. Eins bitt ich vom Herren: B, 3Vn/3Ctto, Vo/Bn/Trb, Bc (TSWV 168a)
2. Domine exaudi: B, 3Va/3Trb, Vo/Bn, Bc~B, 3Vn/3Ctto, Trb, Bc~B, Vn/Ctto, 2Va/2Trb, Trb, Bc (TSWV 4a)
4. Confitebor tibi: T/S, B/Vo/Bn/Trb ad lib, Bc~B, 3Va/3Trb, Vo/Trb, Bc~T,
2Vn/2Ctto, B/Vo/Trb, Bc (TSWV 3a)
5. Mache dich selbst nicht trawrig: B, 3Vn/3Ctto, Va/Trb, Vo/Bn, Bc (TSWV 167a)
6. Non mortui laudabunt te: A, Bn/Trb, Bc (TSWV 1a)
7. Herr hre und sey mir gnedig: ST, Trb, Bc~B, Vn/Ctto, Trb, Bc~SS/TT,
B/Bn/Trb, Bc~B, B/b ad lib,2Ctto/2Trb, Bc (TSWV 195a)
8. Kompt her und schauwet: B, 2Vn/2Ctto/2Trb, B/b ad lib, Bc (TSWV 184a)
9. Veni Domine: S/T/Vn, S/Vn/Fl/Ctto, B, B/Vo/Trb, Bc (TSWV 5a)
Remarks: Selle suggests a number of possible scorings (including octave transpositions of various parts) for the pieces in this collection. The basic formation for all the pieces is solo voice(s) and basso continuo. Listed above are Selle’s suggestions with trombone(s) found in the Nota at the end of the Vox I partbook and in the preface of the Vox Tertia pro Capella Fidicinia partbook. In cases where multiple scorings with trombone are suggested, they are separated by a tilde [~]. In addition, the continuo parts can be played by a harmony instrument (organ, regal, harpsichord, spinet, theorbo, lute) and/or melody instrument (violone, trombone, or bassoon), or even be sung. The pieces of this collection are also preserved in Selle’s manuscript Opera omnia, sometimes with yet other scorings (see below).
Bibliography
PEARSE, Linda ; LEONARD, Charlotte A. ; WEINER, Howard T, The Early Trombone : a Catalog of Music. Turnhout: Brepols, 2023. (Vocal Music)